Dr Syn Alias the Scarecrow (1937)
This was the original film. London Films Ltd, bought the rights to the Dr Syn book from Thorndike for reportedly a mere pittance. The film starred George Arliss as Syn. Arliss was coming to the end of his career in films and this was I supose a fitting finale. In this film though Syn survived the Malutto's attempt to kill him. The film does not cover much on the scarecrow activity, it would be difficult in only 80 minutes anyway. It is well shot and a classic that has been released on VHS by several of the online film stores. Though now it seems it is unavaible ? I think I paid about 15 USD . Below is a picture of George Arliss. His real name was George Augustus Andrews-Arliss and some shots from the film.
(film shots coming as soon as I have unpacked all my boxes from house move)
Dr. Syn (1938): A Review.
Review by Tom Matthes
It seems Hollywood can never get
enough of the charismatic rogue, a hero who is half devil and half angel. Clark
Gable, Humphrey Bogart, and Robert Newton are among the movie actors whose
fortunes were made by playing the likes of Rhett Butler of Gone With the
Wind, Rick Martin of Casablanca, and Long John Silver of Treasure
Island. Add to this mix George Arliss in Dr. Syn. This was a switch
of roles for the great stage and screen star. He was the first British actor to
win the Oscar for Best Actor with the title role of Disraeli. For his
final movie performance, Arliss switched from his normally elegant, historical
roles to play a mysterious old vicar of Dymchurch , a town on the Southern
English coast that still exists.
Fans of Walt Disney's version of the
Russell Thorndyke story, made in 1962, are in for a shock from the Arliss
version. The older movie is vastly inferior to Disney's Technicolor print,
although its grainy black and white is fitting for the story's intrigue. More
significant is the difference in characterization. Instead of Disney's masked,
dashing, laconic, and equestrian vicar Arliss gives us a frail-looking old
parson who is alternately kindly, clever, deceptive, intimidating and enraged, a
truly complex role challenging enough for Arliss.
This original screen
version of Dr. Syn could not be made today. Dr. Syn and his antagonist,
Royal Navy Captain Collier, each have their good and bad points. But the villain
of the piece is a muscular mulatto with no redeeming features. This bigoted
dramatization is a contemporary of D.W. Griffith's Birth of a Nation
(Thorndyke's original novel about Dr. Syn was published the year after the
Griffith classic was released), which also featured a ruthless (albeit educated)
mulatto. In Dr. Syn, the mulatto is a rapist who was marooned on a desert
island by Captain Nathaniel Clegg and his pirates after his ears and
tongue were cut off.
Captain Collier, in pursuit of Clegg's ship, the
Imogene, rescued the mulatto; thereafter keeping him chained and led like an
attack dog. When Collier gives up the sea to lead revenue detachments in search
of smugglers, he brings the mulatto along, with his keen nose for wines and
liquors.
Twenty years later, Collier leads his men to Dymchurch, where
Captain Clegg's grave is in the same churchyard where Dr. Syn is the pastor,
offering a good word for rich and poor parishioners alike, although he can't
resist teasing the tippling local physician about his claims that phantom
horsemen are riding through Romney Marsh at night. Collier learns of the ghost
story and begins to investigate, while the mulatto discovers that Clegg's coffin
is empty and escapes custody to seek revenge.
We soon learn that Dr. Syn
is really Clegg and the mysterious "Scarecrow," who leads Clegg's former pirates
in a secret smuggling operation, using a real scarecrow as a signaling device
and a place for concealment at night. While his subordinates are getting rich
from the profits, Dr. Syn gives his share to the poor or for civic projects like
a new schoolhouse. His double role also allows Syn/Clegg to serve as legal
guardian of his beautiful daughter Imogene, whom Dr. Syn fears will have her
heart broken by the squire's bachelor son, who is equally afraid Imogene will
break his heart.
Dr. Syn considers himself to have been reformed when, as
Clegg, he survived being hanged when friends used acid to weaken the ropes.
Afterward he took up his religious and smuggling work. And, as the Scarecrow, he
orders his smugglers to avoid violence, using the legend of the phantoms and
various ruses (such as switching road signs to confuse anyone tracking his
riders) to maintain their cover. His smuggling takes money from the king and
diverts it to fighting local poverty, which Syn blames on heavy
taxes.
But Syn's reformation is an illusion, at least in some ways. While
he lies freely to cover up the local smuggling (it works; the local squire
laughs off the phantom sightings), Syn's Scarecrow has a reputation for
ruthlessness that his pirate band still respects 20 years after Clegg was
hanged. When one of his smugglers tries to blackmail him, the gentle pastor
almost kills him in a fight, then blames the mulatto for the assault. When
Captain Collier puts the unconscious blackmailer in custody for questioning, Syn
tells Mipps, his chief lieutenant, that the questioning must not take place.
While Syn dines with Collier, who is starting to unravel the mystery, the
blackmailer is spirited away and hanged on the marsh. When a seemingly angry Syn
asks Mipps "Who did this?" the reply, in a whispered, mafia-like growl, is "How
should I know?" ("Who will rid me of this priest?" demanded a medieval English
king, after which one of his listeners murdered St. Thomas a Beckett). At the
inquest, Syn, this man of the cloth and a faith based on love and forgiveness,
is unable to talk about the mulatto without a tone of rage.
So how does
George Arliss manage to turn this complex character into a hero? The only way to
find out is to see the movie. Few actors could pull it off, but Arliss does and
not by accident. He could play ruthless, conniving villains when he wanted to
(he was nominated for the Best Actor Oscar for portraying an evil rajah in the
Green Goddess, losing the award to himself in his portrayal of Disraeli
that same year). The Arliss genius also included playing characters that get
into trouble by being too clever by half, then wiggle out of the dilemma. In
this story Dr. Syn becomes overconfident in his battle of wits with the equally
clever captain.
Disney's "Scarecrow" is a thrilling adventure yarn, but
his target audience was children. Arliss's Dr. Syn is simultaneously a romantic
adventure and morality play for adults who can tolerate its lack of political
correctness and its inferior print. It has a fine cast, most notably Margaret
Lockwood as the maiden struggling with a romance that defies traditional English
class lines, not to mention her unknown pirate lineage. But it works because it
bears the final stamp of Arliss greatness.